Tongue & Groove
He's won a Juno. He's won two Canadian Smooth Jazz Awards. He's won a West Coast Music Award. And he's earned several Gold and Platinum albums throughout his career (which included a stint with the Powder Blues Band). So ... what does a boy who was born and raised in Denver, Colorado, but now calls Vancouver home, do next?
He jam-packs a fresh collection with so much talent you just know it's going to be something special. That's not to say that Gabe isn't special enough on his own. He most definitely is - whether it's trumpet, flugelhorn or flute, GMH is an unparalleled vibe-master, always discovering new ways to groove solidly in the pocket.
I'm proud to say I had a hand in picking the lead-off single "Chill@Will". Featuring Bob Baldwin - remember the guy at the Canadian Smooth Jazz Awards Saturday party whose keyboard dropped to the floor and so he dropped with it and just kept on playing? - this track is a delicious blend of funky groove and tasty textures.
Uber-producer (and guitar player) Paul Brown shows up for a spin with Gabe on "Heading North". Paul's unmistakable style (slick and smooth) melds perfectly with Gabe's urban sensibility. "Daahoud" with Christ Standring is another standout as is "Slipstream Turbulence" featuring fellow Canadian Brian Hughes. I also absolutely adore Gabe's unique take on "Feels So Good" (extended version with Miles Black and Grant Geissman) - an old chestnut given new life with a contemporary twist.
I've known Gabe for a long time and he is not only one of the most exceptionally talented musicians in the biz, he is also a passionate and generous soul, two traits that permeate every note he plays. Tongue & Groove ramps up the maestro's mainstream/contemporary mastery at every turn. I've said it before: "What I love the most about Gabe is his utter fearlessness. Not one to ever rest on past grooves, he charts new and exciting territory with each new CD."
Tongue & Groove is no exception. Keep on grooving Gabe, and we will keep on loving you!
Vickie van Dyke